A robed performer addresses a candlelit table of guests
Now casting · Recurring roles · Travel paid

Don’t play a cult.
Play the believer.

A recurring 15-minute, first-person character role in Cults & Cocktails, a regional traveling show where true stories of devotion gone wrong are told by candlelight, a drink in every guest’s hand. Pick one character. Film one minute on your phone. That’s the whole audition.

$80per show
Recurringrole, show after show
Travelpaid
Multipleshows a day
01

The
gig

You won’t be narrating a cult. You’re inside one.

For fifteen minutes you are someone who believed — who gave up a name, a marriage, a country, a body — speaking directly to a room of guests close enough to touch. No fourth wall, no costume doing the work for you. Just a person who was sure, and the moment the certainty cracks.

Every character is written with an arc: they begin in devotion and end somewhere else. We want actors who can make an audience understand why someone stayed.

  • A recurring role. This isn’t a one-night gig. Book the part and you perform it show after show as we tour.
  • $80 per show, travel paid. Multiple shows a day, so a single day of work adds up — and getting there is on us.
  • A role worth playing. Original first-person monologues built from real history — not a haunted-house jump scare.
  • On the road, regionally. Current and upcoming stops include Chattanooga, Nashville.
  • No headshot studio needed. A phone, a quiet room and one take. We’re casting the performance, not the production value.
Project
Cults & Cocktails — immersive true-crime cocktail show
Type
Live theatre · regional tour · recurring roles
Role
15-minute first-person solo character
Rate
$80/show · multiple shows per day
Travel
Paid
Submit
One 60-second self-tape + 1–2 photos
Producer
Sigma Rizzy Productions
Stops
Chattanooga · Nashville
02

Choose your
character

Eight roles across four stories. Pick one to tape — it’s a sample of your work, not a limit. We consider every actor for all the roles they’re right for.
What the roles ask

These roles deal directly with suicide, coercion and abuse. We’re looking for actors who can carry that with honesty and restraint, show after show.

I
Cefalù, Sicily · 1920–1923

Aleister Crowley

The Abbey of Thelema

In 1920, the man the papers called “the wickedest man in the world” rented a farmhouse in Sicily and founded the Abbey of Thelema: a commune of artists, lovers and seekers living by one law — Do what thou wilt. The movement was small. The character Crowley built for himself, the Beast 666, outlived him and seeped into a century of music, occultism and pop culture. Inside the Abbey, though, freedom had a way of sounding a lot like Crowley’s instructions.

What we’re looking forMake the Abbey seductive before you make it sinister. We should understand exactly why someone would stay.

Evelyn Hart

Woman · 25 to 35
Abbey of Thelema, Cefalù, Sicily, c. 1921 · Fictional character
DirectionDon’t play her as frightened from the beginning. She loved this place. Let the realization and doubt emerge during the monologue.
Read the scriptHide the script · about 60 seconds

The first night I slept here, I thought: I’ve done it. I’ve actually escaped.

No mother telling me what a woman does. No church telling me what God permits. No husband required. We painted, drank, made love, stayed awake until sunrise arguing about magic and poetry.

And Crowley said the only law was: Do what thou wilt.

God, I loved that.

But yesterday he told Thomas to sit outside in the sun without water. An exercise in will, apparently.

Thomas didn’t want to.

So I said, “Then don’t.”

Everyone looked at me as though I’d said something obscene.

That’s when it occurred to me...

We came here because no one was supposed to tell us how to live.

But Crowley tells us when to eat. When to sleep. What to wear. What to endure.

So whose will are we doing?

Because I’m beginning to think...

it isn’t ours.

Arthur Bell

Man · 30 to 40
Former soldier · Abbey of Thelema, Cefalù, Sicily, c. 1921 · Fictional character
DirectionHe is not brainwashed, sinister, or stupid. Play him as intelligent and likable—the sort of person you’d enjoy having a drink with. He should almost convince us that we’re the ones who don’t understand.
Read the scriptHide the script · about 60 seconds

You hear “Aleister Crowley” and you’ve already decided, haven’t you?

Devil worship. Orgies. Drugs. The Beast 666.

That’s exactly what the newspapers want you to see.

I spent four years watching respectable men send boys into machine-gun fire because a king and a flag told them it was noble.

Nobody called that madness.

Then I come here.

Crowley says: Strip it all away. Your parents. Your church. Your country. Every rule somebody else put inside your head.

Find the one thing that is truly yours.

Your True Will.

Is he difficult? Christ, yes.

Cruel sometimes?

Perhaps.

But he never promised to make us comfortable.

He promised to make us free.

So call him the Beast if you like.

After what I’ve seen respectable men do...

I’m not terribly frightened of beasts anymore.

II
Wasco County, Oregon · 1981–1985

Rajneeshpuram

The City in the Desert

Thousands of red-clad followers of Bhagwan Shree Rajneesh turned a 64,000-acre Oregon ranch into a city — with its own airstrip, police force and mayor. They came to meditate and to be free. When zoning boards, courts and neighbors pushed back, the commune’s leadership took over the nearby town of Antelope, bused in homeless people to vote, and seeded salad bars in The Dalles with salmonella. More than 750 people were sickened. It remains the largest bioterror attack in U.S. history.

What we’re looking forBuilders, not zealots. Proud and practical, defending a place they love — right up until they hear what that defense requires.

Rachel Morgan

Woman · 25 to 35
Former San Francisco graphic designer and Rajneeshpuram resident · Fictional composite
DirectionShe is not trying to escape. She is defending a place she genuinely loves until she begins to hear what that defense requires.
Read the scriptHide the script · about 60 seconds

You should have seen this place when we arrived.

Dust. Rocks. Nothing.

And look at it now.

We built houses. Roads. Gardens. A hospital. We planted trees where everyone said nothing would grow.

Do you understand what that feels like?

Thousands of people waking up every morning and saying, let’s build something beautiful together.

And the people in Antelope hated us before they even knew us.

So yes, we bought houses there. We voted. That’s democracy, isn’t it?

Then they tried to stop us from voting.

So Sheela said we needed more voters.

We brought homeless people here. Thousands of them.

Fed them. Housed them.

Registered them.

And now everyone says we’re the dangerous ones.

Maybe we are.

Because lately, every time someone tells us “no”...

we find another way to make them say yes.

And I’m starting to wonder where that ends.

Daniel Price

Man · 32 to 45
Architect/engineer and Rajneeshpuram resident · Fictional composite
DirectionProud, practical and smart. He thinks outsiders fundamentally misunderstand what they built. The realization at the end should surprise him as much as the audience.
Read the scriptHide the script · about 60 seconds

They call us a cult.

Fine.

You know what this cult did?

We took sixty-four thousand acres of Oregon scrubland and built a city.

Water systems. Roads. Farms. Homes. An airport.

People who couldn’t organize a neighborhood barbecue look at us and say we’re delusional.

We built the thing.

Bhagwan taught us that you don’t have to live the life somebody else designed for you.

So we didn’t.

And apparently that’s terrifying.

The county wants us gone. The state wants us gone. Our neighbors would celebrate if this entire place disappeared tomorrow.

So what are we supposed to do?

Just surrender?

No.

We fight in court. We vote. We organize. We protect what we built.

And if the rules are designed to destroy us...

then maybe the rules don’t deserve our obedience.

...

Christ.

That sounded better in my head.

III
Rancho Santa Fe, California · 1974–1997

Heaven’s Gate

The Next Level

In March 1997, thirty-nine members of Heaven’s Gate — in matching black clothes and Nike sneakers — ended their lives, believing a spacecraft trailing the Hale-Bopp comet would carry them to the level above human. They weren’t prisoners. Many had lived together for twenty years, ran a web-design business, and could have walked out any day they chose.

What we’re looking forNo hysteria. Calm, kind, even funny people who are completely certain. The sadness belongs to the audience.

Susan Keller

Woman · 32 to 45
Longtime Heaven’s Gate member · Fictional composite
DirectionNo hysteria. She is happy, calm, affectionate and completely certain. That’s what should make it disturbing. The sadness belongs mostly to the audience.
Read the scriptHide the script · about 60 seconds

Mom, please don’t be angry.

I know you’re going to hear people say we were brainwashed.

That we were trapped here.

I could have left.

People did leave.

I stayed.

Because for the first time in my life, everything made sense.

This body isn’t me. Susan isn’t me. She’s something I’ve been wearing.

And now it’s time to take it off.

Hale-Bopp isn’t the reason we’re doing this. It’s the sign we’ve been waiting for.

They’re coming for us.

We’re going home.

I know you’re going to cry when you hear this.

That’s the only part that frightens me.

Not dying.

Hurting you.

So please remember me happy.

Because that’s what I am.

I’m not ending my life, Mom.

I believe I’m finally about to begin it.

David Miller

Man · 38 to 50
Longtime Heaven’s Gate member · Fictional composite
DirectionIntelligent, gentle, slightly amused by how bizarre this must sound to an outsider. The emotional turn comes when he acknowledges what his certainty required him to give up.
Read the scriptHide the script · about 60 seconds

People always ask why I stayed.

That’s backwards.

The question is why I would go back.

Back to what?

Work. Mortgage. Television. Spend forty years buying things, get old, die.

That’s the sane choice?

Ti told us there was something beyond the human level.

At first I thought it was crazy too.

Then I stayed long enough that everything outside started looking crazy.

I gave up sex.

Money.

My name.

I stopped calling my wife.

Eventually, I stopped calling her my wife.

That’s the one I still think about.

Because if we’re right...

I gave up one lifetime for something infinitely greater.

But if we’re wrong...

...

Then my daughter grew up thinking her father abandoned her...

because he was waiting for a spaceship.

IV
Albany, New York · 1998–2018

NXIVM

The Executive Success Program

NXIVM sold itself as executive coaching: seminars, colored sashes, and the promise of becoming stronger, braver, more accountable. Actresses, heiresses and entrepreneurs signed up. Inside was DOS, a secret “sorority” whose members handed over compromising collateral, called each other “master” and “slave,” and were branded with founder Keith Raniere’s initials. Raniere is serving 120 years in federal prison.

What we’re looking forProud, not gullible. The horror is that every step made sense at the moment they took it.

Natalie Reed

Woman · 27 to 38
Successful professional and longtime NXIVM participant · Fictional composite
DirectionBegin excited and proud, not gullible. The horror is that every individual step seemed explainable when she took it.
Read the scriptHide the script · about 60 seconds

NXIVM changed my life.

I know how that sounds now.

But it did.

I stopped blaming people. I stopped making excuses. I took risks. I became stronger.

So when she asked if I wanted to join something deeper—just for women—I felt... chosen.

She said it would teach me commitment.

First, I had to prove I could keep a secret.

Collateral.

A naked photograph. A letter that could destroy my family.

I almost walked away.

But that was the point, wasn’t it?

Fear was controlling me.

So I handed it over.

Then came the diets. The readiness drills. “Master.” “Slave.”

Every time something frightened me, they said:

That’s your weakness talking.

Then they told us we were getting tattoos.

We weren’t.

They held me down while they burned the symbol into my skin.

And I remember thinking:

Don’t cry.

Because if I cried...

they’d say that proved I needed this.

Michael Brennan

Man · 35 to 48
Entrepreneur, husband, father, and NXIVM / Society of Protectors participant · Fictional composite
DirectionStart confident. He genuinely believes he found something valuable. His realization is that he helped legitimize the man and system responsible for what happened.
Read the scriptHide the script · about 60 seconds

I joined because I wanted to be a better man.

Better husband. Better father. Better leader.

And some of it worked.

That’s the part nobody wants to hear.

We held each other accountable. No excuses. No blaming other people for your failures.

Keith could talk for three hours and I’d leave thinking:

Jesus. This guy sees things nobody else sees.

So when people criticized him, I defended him.

They didn’t understand.

When someone left NXIVM angry?

Victim mentality.

When a woman said Keith had treated her badly?

She’s blaming him for her choices.

There was always an answer.

Then I learned about DOS.

The collateral.

The starvation diets.

Women calling each other “master” and “slave.”

The branding.

And Keith...

Keith was at the top of it.

I keep thinking about all those years I was learning how to become a “better man.”

Maybe the lesson I really learned...

was how not to believe a woman when she told me something was wrong.

03

How to
tape it

  1. 1Pick one character to tape. It’s a sample, not a commitment — we’ll consider you for every role you fit. Choose the voice you understand best, not the one you think we want.
  2. 2Film the script on your phone. One continuous take, about a minute. No slate, no intro — start with the first line.
  3. 3Upload it with a photo or two. A headshot is great; a clear, recent phone photo is fine.
Self-tape tips
  • Turn the phone sideways. Frame yourself from the chest up, lens at eye level.
  • Face a window for light. Quiet room, plain background.
  • Look just off the lens, as if talking to a guest across the table.
  • Off-book is better, but a confident read beats a nervous memorization.
  • Upload over Wi-Fi if you can — phone videos are big.
04

Submit your
self-tape

Takes about three minutes, plus upload time. You’ll need:

  • Your one-minute video
  • One or two photos
  • An email we can reach you at

We watch every tape. If we’d like to see more, we’ll email you about a callback.

01Your role
02About you
03Your tape
Audition video about 60 seconds
Photos 1 or 2 · a headshot is great, a clear phone photo is fine